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Those look really good to any viewer. The aesthetic language of the fight scene has to support the narrative and, well, it has to look good. Narrative is an obvious characteristic that has to be present in any kind of storytelling. Earlier on, it’s focused, and the narrative is relatively clear. It’s tense, and has a clear place in the narrative: She’s a girl in a primarily male field, overcoming discrimination and physical disadvantages. Working as a cam girl may give her the time and space she needs to figure out a new dream for herself. If you wish cam sites were as easy to search as porn sites, XHamsterLive is your pal. These folks are not to be looked down upon for their profession, but rather respected for how they have quickly learned to navigate the social landscape for their own career gains, all the while beating back the negativity toward the porn industry that threatens their chosen livelihood.

Even the most formerly confident among them start to believe that their partnership woes are entirely their fault. Both look amazing, even though they use different filmmaking philosophies. This is true even in the climax, when our former lead Mahavir is literally locked in a closet as the pivotal match plays out. There’s a moment where the lead cartwheels out of a takedown that actually seemed plausible. Moving the ever-so-slightly below solid to the ever-so-slightly above solid column, we can see that the ever-so-slightly below solid and the ever-so-slightly above solid cancel out yielding: solid. I will say though that the fight choreography, if not stellar, is still miles above what we’re used to in American movies, with rare exceptions like John Wick. The first fight where Gheeta fights a wrestler is fantastic. Some parts of the fights seem more or less realistic. I have to restate the disclaimer that while I probably know more than the average viewer, wrestling is generally not my area of expertise.

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I’m not really sure what caused the change, but at least from my perspective, it was noticeable. Now, at long last, to the movie that I’m actually supposed to be reviewing: “Dangal.” I’ll work backwards through the criteria that I’ve established to review the fight-scenes, and then I’ll get to the movie as a whole. In general, I’d say that for a fight to look good, it needs to frame the full movement in a well-composed shot and allow us to get a sense for the motion. This fight from “Taken 2” looks bad. It’s a real move in wrestling, and it can be done; but it looks pretty implausible on screen, and it definitely didn’t happen like that in real life. That being said, “Dangal” is a movie about wrestling, and most of my knowledge is in striking (kicking and punching as opposed to grappling). “Dangal” was also interesting to me for another reason: It’s a movie about fighting. The fights just take in the context of Mahavir and the coach giving differing advice to Gheeta, and it’s …

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